Cast brass domes entirely covered in White eggshell.
Cast brass domes entirely covered in White eggshell and suspended inside oval voids
A luminous play of rings and ovals.
Straw marquetry hand-dyed in ebony to pale has been inlaid to create an ombre feathered pattern in smokey tones.
Translucent carved stone makes a sophisticated accent to the textured bronze column of the Shangó Floor Lamp.
A tall translucent stone vase sits on a bronze studded base creating a dramatic, natural lighting element.
Gold light pours out from behind a totemic black bronze mace floating at the centre of a wide cast bowl.
A golden bowl of naked flames is lifted on long burnt bronze textured legs with polished and faceted polished feet.
Made from intricately inlaid beetle carapaces collected in the rice fields of Thailand, the Scarab Candle Sconce creates a mesmerizingly iridescent light.
A lamp inspired by the beautiful form of the Japanese 'warosoku' temple candle.
The simple form of the Marquis Sconce is finished in Silvered bronze to create a contemporary lighting element.
The floor lamp are alluring connected cones of natural parchment.
The table lamp are alluring connected cones of natural parchment.
Mica flakes of silvery black are applied piece-by-piece.
The sublime texture of muted unpolished shagreen.
A slice of natural parchment lined in pure gold.
A sculptural bronze wall light.
A group of five cast candleholders inspired by the shapes and contours of the thatched roofs.
Natural parchment brings a rich contrast of texture to the precise beveled bronze patinated top.
A black bronze-patina sculptural tower is completed with individually hand-shaped parchment blocks to create a unique and striking light. Inspired by the acrolith sculptures of ancient Greece.
The acrolith is a sculpture of two materials – one simpl and one precious. In this shapely lamp a bronze patina base supports a top of natural polished shagreen.
A cast pillar supports a turned column of natural Calcite crystal bringing a strong contrast to this acrolith form whereby a precious material highlights a simpler material like the rare ancient Greek sculptures that give it its name. Linen shade.
A lost-wax cast monolith tied around with thick ropes creates a powerful sculptural presence for lighting.
Inspired by the lines of the modernist architecture of Brazil the cast tripod form supports a faceted Peking glass shade that beautifully filters the light.
A strong form in lost wax cast in black patina, with inner surface in pure gold leaf.
Layers of gold mica hanging from stainless steel frame filter the light of this richly textured chandelier.
Black mica and black powder-coat steel bring a cool elegance to a richly textured chandelier.
Totemic floor lamp that expresses its fluid, dancing form in cast bronze, accented with hand-applied mercury gold.
Beautiful Brazilian hardwood is used to construct an octagonal base that is capped with a cast bronze top.
Natural distress shagreen is used to cover an octagonal base that is capped with a cast bronze top.
Layers of bronze create an alluvial sculpted lamp base.
A poem by the Trinidadian poet Derek Walcott. The raised cast brass text circles the column of the lamp as a visual meditation on the beautiful idea within his poem 'Love After Love'.
A unique sculptural lamp formed of charred wood that has been tightly bound by lines of woven bronze.
The text of a much-loved poem by WH Auden, 'The More Loving One' provides a graphic basis for this lantern that also expresses something of a letter press.
Lanterns made from hand-blown Peking glass in white colour (sometimes called 'mutton fat white').
Perfect, smooth reflective dishes hold naked flames within deeply textured bronze table sculptures.
The elliptical shade floats above a sunburst oval of straw marquetry that catches and reflects the light from the double-head bulbs.
A cast bronze structure supports the oval linen shade and tray base below in Natural Speckle Shagreen.
A monumental marble rock has been roughly chiseled and then gilded to bring the light of pure gold
White gold leaf is applied to the chiseled marble of the Cornice Table Lamp. For those who prefer a cooler quality of light.
A shield of bronze that mirrors the marquis diamond cut.
Bronze with gold interior.
A slice of light emanating from within.
A rich sculpted bronze plate clasps an elegant stem that supports a shagreen shade
An elegant bronze patina stem supports a shade lined with hand-applied pure gold leaf.
A powerful bronze orchid propagated to live on a wall
The Demi-Monde floor lamp is raised on a cast bronze base
Inspired by the idea of building a pillar of stacked irregular objects
A deeply gouged lost-wax bronze lantern
Large natural shagreen skins wrap this lamp base along its curved spines.
The original idea for these six candlesticks came from the English polished brass weights that were used to measure sweets when I was small.
The form is inspired by a Japanese temple candle.
The slender form sculpted in bronze extends up to the ceiling to create a beautiful light pool. The rough texture of the bronze finish contrasts with the light's feminine form.
Thick clear glass gilded with gold leaf supports an inverted bronze finial.
A very geometric but sinuous form that sits beautifully indoors or out.
Woven copper lanterns based on Balinese cock-fighting baskets
A slender bronze base and stem holds a rigid shade that emits a lustrous glow.
Monumental uplights in sculpted cast bronze.
The simple lighting elegance of bronze, gold and shagreen
Utterly simple and luxurious - a perfect sphere of shagreen lit from above
Inspired by an antique ring, the quilt texture brings a soft reflective bronze surface
A bronze gilded leaf creates a simple wall light
Leaves floating down from the ceiling. Teak leaves overlapping in plaster are suspended by three square-form chains available in gilded brass, black bronze patina or unpolished brass.
An important octagonal stem candle lantern made from Peking glass and caste bronze.
An important octagonal stem lantern made from Peking glass and caste bronze. UL electrified.
A parchment column with shagreen and gold leaf shade supported by bronze arms